Page Text: ‘Innovative and thrilling’: Stephanie Lake’s Manifesto is a joy
Choreographer Stephanie Lake brings together nine dancers and nine drummers in this thrillingly original work.
Barthélémy Toguo, The Generous Water Giant, 2022. Courtesy Bandjoun Station & Galerie Lelong & Co. Installation view, 23rd Biennale of Sydney, rīvus, 2022, Museum of Contemporary Art Australia. Phot ography: Document Photography.
March 16, 2022
‘Rich with wonder’: the 2022 Sydney Biennale finds connection and relevance in troubled times
The aesthetically captivating 23rd edition of the biennale shows how art can contribute to debates around environmental sustainability.
Johan Joseph Zoffany. David with the head of Goliath 1756. Oil on canvas 92.2 × 74.7 cm. National Gallery of Victoria, Melbourne. Purchased with the assistance of the Isabella Mary Curnick Bequest and The Art Foundation of Victoria, 1994 National Gallery of Victoria, Melbourne
March 11, 2022
Visual art
The ‘queer gaze’ is presenting a new and alternative reading for art of the past and of the present.
Brett Boardman/Bell Shakespeare