Page Title: TOPLAP – The home of live coding

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Page Text: The Burgeoning Live Code Scene in New York City 13 June 2020 the burgeoning live code scene in New York City by May Cheung Welcome to New York, the hub of all things creative, corporate, strange and… Designing a reprogrammable instrument 18 May 2020 Designing a reprogrammable instrument by Rafaele Andrade In a reprogrammable sound performance, the musician, its audience, collaborators (live coders), environment and the music instrument can… Bytebeat, Floatbeat, Rampcode 17 February 2020 BYTEBEAT, FLOATBEAT, RAMPCODE live coding with no synths nor samples by Gabriel Vinazza I’ve found that a good way to start talking about bytebeat is… Error 404 – Page not Found 27 December 2019 Error 404 – Page not Found por Libertad Figueroa “[…] Porque hay una historia que no está en la historia y que sólo se puede… Challenging layers: complexity, Bytebeat and possible sonic horizons for live coding 21 October 2019 Desafiando capas: complejidad, Bytebeat y posibles horizontes sonoros para el live coding Challenging layers: complexity, Bytebeat and possible sonic horizons for live coding Luis Fernando… SonoTexto: live coding with sound recordings 23 September 2019 SonoTexto: live coding with sound recordings by Hernani Villaseñor In this entrance I describe the SupeCollider’s Class SonoTexto as well as the artistic concept behind… Más sobre las mujeres Live Coders en México 30 August 2019 Más sobre las mujeres Live Coders en México. por Ana Ofelia Negrete Fernández El pasado 23 de julio de 2019, fui invitada a participar a… Live Coding Control of a Modular Synthesizer with ChucK 2 August 2019 Live Coding Control of a Modular Synthesizer with ChucK by Daniel McKemie Leveraging computing power to generate and process control signals in the modular synthesizer…

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