Page Text: The Burgeoning Live Code Scene in New York City
13 June 2020
the burgeoning live code scene in New York City by May Cheung Welcome to New York, the hub of all things creative, corporate, strange and…
Designing a reprogrammable instrument
18 May 2020
Designing a reprogrammable instrument by Rafaele Andrade In a reprogrammable sound performance, the musician, its audience, collaborators (live coders), environment and the music instrument can…
Bytebeat, Floatbeat, Rampcode
17 February 2020
BYTEBEAT, FLOATBEAT, RAMPCODE live coding with no synths nor samples by Gabriel Vinazza I’ve found that a good way to start talking about bytebeat is…
Error 404 – Page not Found
27 December 2019
Error 404 – Page not Found por Libertad Figueroa “[…] Porque hay una historia que no está en la historia y que sólo se puede…
Challenging layers: complexity, Bytebeat and possible sonic horizons for live coding
21 October 2019
Desafiando capas: complejidad, Bytebeat y posibles horizontes sonoros para el live coding Challenging layers: complexity, Bytebeat and possible sonic horizons for live coding Luis Fernando…
SonoTexto: live coding with sound recordings
23 September 2019
SonoTexto: live coding with sound recordings by Hernani Villaseñor In this entrance I describe the SupeCollider’s Class SonoTexto as well as the artistic concept behind…
Más sobre las mujeres Live Coders en México
30 August 2019
Más sobre las mujeres Live Coders en México. por Ana Ofelia Negrete Fernández El pasado 23 de julio de 2019, fui invitada a participar a…
Live Coding Control of a Modular Synthesizer with ChucK
2 August 2019
Live Coding Control of a Modular Synthesizer with ChucK by Daniel McKemie Leveraging computing power to generate and process control signals in the modular synthesizer…