Page Title: 'Spring Sunrise' Haiku Winners - March Tricycle Haiku Challenge

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Page Description: The winning March poems from Tricycle’s monthly challenge featured haiku with the season word of 'spring sunrise.'

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Page Text: lights the work of war mothers combing for remains. — Lynn Wagner ♦ You can find more on March’s season word, as well as relevant haiku tips, in last month’s challenge below: Spring season word: “spring sunrise” Although it seems slow the spring sunrise is moving at the speed of light Science makes good poetry, provided it doesn’t pretend to explain everything. Astronomy is an endless source of wonder for me. For that reason, I feel especially drawn to season words from the category that Japanese haiku poets call “the heavens.” Submit as many haiku as you wish that include the season word “spring sunrise.” Your poems must be written in three lines of 5, 7, and 5 syllables, respectively, and should focus on a single moment of time happening now. Be straightforward in your description and try to limit your subject matter. Haiku are nearly always better when they don’t have too many ideas or images. So make your focus the season word and try to stay close to that. REMEMBER: To qualify for the challenge, your haiku must be written in 5-7-5 syllables and include the words “spring sunrise.” HAIKU TIP: SAY IT WITH SCIENCE! Western haiku poets are often surprised to discover that Akito Arima  (1930-2020), president of the Haiku International Association for many years, was also a nuclear physicist and former president of Tokyo University. Director of the Japan Science Foundation, he also served as Japan’s Minister of Education. But Japanese poets are not in the least surprised by Arima’s interest in haiku. A literary art form that takes decades to master, haiku is a popular pastime open to people from all walks of life. It is a way to relax and reconnect with nature, with one another, and with ourselves. Outside of Japan, Arima is most famous for his development of the Interacting Boson Model, used to predict the behavior of subatomic particles. Not surprisingly one of his most famous haiku pays tribute to the father of theoretical physics. Under Sirius, Dog Star, Einstein’s century has come to an end Notice the collision of images in the poem. “Einstein’s century” (the century of unprecedented technological growth for which his ideas laid the foundation) is juxtaposed with the “Dog Star” Sirius, part of a constellation with rich mythological and cultural associations, and also the brightest star in the sky. The achievements of human beings, of human progress itself, exist against the backdrop of time and space so vast that it reveals them in perspective. Arima’s understanding of science is tempered by his devotion to an art form that does not place human beings at the center of the universe. Asked in a 2012 interview if the arts and sciences were of equal value to him (“Do your physics and your haiku compete with one another or ‘love each other dearly’?”), Arima replied at length: If I am interested in the physics at hand, I continue to work ten hours, one hundred hours, no problem. But sometimes I have trouble solving my own questions. Nature is very cunning in hiding her secrets. In that case, I go back to haiku. I look at the other side of nature. Then, she frankly tells me her beauty. I turn from physics and very detailed theory to gigantic scenery or the detailed beauty of flowers or the beautiful song of the insect. I write a haiku. Then my energy concerning physics comes back. Then I look at my problem again with different eyes. Then I can suddenly find the heart of a secret of nature. Sometimes I have difficulty finding little poems, little haiku, so even after two or three hours I cannot write a good haiku at all. Then I go back to my studio to study physics. So both of them help each other very much. Physics, or more generally science, and haiku, or more generally arts, both of them show us different faces of nature. One is the beautiful side of nature; the other is a very delicate fine structure of nature. There is no conflict between haiku and physics. And so, there really is no discontinuity between the haiku’s animistic approach to nature (which Arima often championed in his writings) and a close examination of nature using physics, botany, ecology, etc. At the very least, the two can inform one another. At their best, they are like two sides of a single coin. A note on the spring sunrise: The days grow progressively longer throughout the springtime, which is determined in astronomical terms as beginning with the spring equinox in March and ending in June with the summer solstice, the longest day of the year. Spring sunrises invite a hopeful mood. The knowledge that the earth is growing warmer, the days fuller, is written in our bones. Get Daily Dharma in your email Start your day with a fresh perspective We’re sorry, there was an error. Please try again. Explore timeless teachings through modern methods. With Stephen Batchelor, Sharon Salzberg, Andrew Olendzki, and more Thank you for subscribing to Tricycle! As a nonprofit, we depend on readers like you to keep Buddhist teachings and practices widely available. This article is only for Subscribers! Subscribe now to read this article and get immediate access to everything else. Already a subscriber? Log in. Login Need help with email or password? Clark Strand  is a former senior editor at Tricycle. His books include Seeds From a Birch Tree: Writing Haiku and the Spiritual Journey and The Way of the Rose: The Radical Path of the Divine Feminine Hidden in the Rosary, which was co-authored with his wife, Perdita Finn. He teaches the popular group “Weekly Haiku Challenges with Clark Strand” on Facebook and leads Tricycle's monthly haiku challenge, as well as the Tricycle Haiku Challenge Facebook group. View Comments This article is only for Subscribers! Subscribe now to read this article and get immediate access to everything else. Discover what over 27,300 subscribers have access to Full access to 30 years of content with over 7,775 articles Continuous new writings from leading Buddhist teachers and New York Times bestselling authors, including: Sharon Salzberg

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